Part II

In the Italian States, as in many natural bodies, untimely decrepitude was the penalty of precocious maturity. Their early greatness, and their early decline, are principally to be attributed to the same cause - the preponderance which the towns acquired in the political system.

In a community of hunters or of shepherds every man easily and necessarily becomes a soldier. His ordinary avocations are perfectly compatible with all the duties of military service. However remote may be the expedition on which he is bound, he finds it easy to transport with him the stock from which he derives his subsistence. The whole people in an army, the whole year a march. Such was the state of society which facilitated the gigantic conquests of Attila and Tamerlane.

But a people which subsists by the cultivation of the earth is in a very different situation. The husbandman is bound to the soil on which he labors. A long campaign would be ruinous to him. Still his pursuits are such as to give his frame both the active and the passive strength necessary to a soldier. Nor do they, at least in the infancy of agricultural science, demand his uninterrupted attention. At particular times of the year he is almost wholly unemployed, and can, without injury to himself, afford the time necessary for a short expedition. Thus the legions of Rome were supplied during its earlier wars. The season during which the fields did not require the presence of the cultivators sufficed for a short inroad and a battle. These operations, too frequently interrupted to produce decisive results, yet served to keep up among the people a degree of discipline and courage which rendered them not only secure but formidable. The archers and billmen of the Middle Ages, who, with provisions for forty days at their back, left the fields for the camp, were troops of the same description.

But when commerce and manufactures begin to flourish, a great change takes place. The sedentary habits of the desk and the loom render the exertions and hardships of war insupportable. The business of traders and artisans requires their constant presence and attention. In such a community there is little superfluous time; but there is generally much superfluous money. Some members of the society are, therefore, hired to relieve the rest from a task inconsistent with their habits and engagements.

The history of Greece is, in this, as in many other respects, the best commentary on the history of Italy. Five hundred years before the Christian era the citizens of the republics round the Aegean Sea formed perhaps the finest militia that ever existed. As wealth and refinement advanced, the system underwent a gradual alteration. The Ionian States were the first in which commerce and the arts were cultivated, and the first in which the ancient discipline decayed. Within eighty years after the battle of Plataea, mercenary troops were everywhere plying for battles and sieges. In the time of Demosthenes, it was scarcely possible to persuade or compel the Athenians to enlist for foreign service. The laws of Lycurgus prohibited trade and manufactures. The Spartans, therefore, continued to form a national force long after their neighbors had begun to hire soldiers. But their military spirit declined with their singular institutions. In the second century before Christ, Greece contained only one nation of warriors, the savage highlanders of Aetolia, who were some generations behind their countrymen in civilization and intelligence.

All the causes which produced these effects among the Greeks acted still more strongly on the modern Italians. Instead of a power like Sparta, in its nature warlike, they had amongst them an ecclesiastical state, in its nature pacific. Where there are numerous slaves, every freeman is induced by the strongest motives to familiarize himself with the use of arms. The commonwealths of Italy did not, like those of Greece, swarm with thousands of these household enemies. Lastly, the mode in which military operations were conducted during the prosperous times of Italy was peculiarly unfavorable to the formation of an efficient militia. Men covered with iron from head to foot, armed with ponderous lances, and mounted on horses of the largest breed, were considered as composing the strength of an army. The infantry was regarded as comparatively worthless, and was neglected till it became really so. These tactics maintained their ground for centuries in most parts of Europe. That foot-soldiers could withstand the charge of heavy cavalry was thought utterly impossible, till, towards the close of the fifteenth century, the rude mountaineers of Switzerland dissolved the spell, and astounded the most experienced generals by receiving the dreaded shock on an impenetrable forest of pikes.

The use of the Grecian spear, the Roman sword, or the modern bayonet, might be acquired with comparative ease. But nothing short of the daily exercise of years could train the man at arms to support his ponderous panoply, and manage his unwieldy weapon. Throughout Europe this most important branch of war became a separate profession. Beyond the Alps, indeed, though a profession, it was not generally a trade. It was the duty and the amusement of a large class of country gentlemen. It was the service by which they held their lands, and the diversion by which, in the absence of mental resources, they beguiled their leisure. But in the northern States of Italy, as we have already remarked, the growing power of the cities, where it had not exterminated this order of men, had completely changed their habits. Here, therefore, the practice of employing mercenaries became universal, at a time when it was almost unknown in other countries.

When war becomes the trade of a separate class the least dangerous course left to a government is to form that class into a standing army. It is scarcely possible that men can pass their lives in the service of one State, without feeling some interest in its greatness. Its victories are their victories. Its defeats are their defeats. The contract loses something of its mercantile character. The services of the soldier are considered as the effects of patriotic zeal, his pay as the tribute of national gratitude. To betray the power which employs him, to be even remiss in its service, are in his eyes the most atrocious and degrading of crimes.

When the princes and commonwealths of Italy began to use hired troops, their wisest course would have been to form separate military establishments. Unhappily this was not done. The mercenary warriors of the Peninsula, instead of being attached to the service of different powers, were regarded as the common property of all. The connection between the State and its defenders was reduced to the most simple and naked traffic. The adventurer brought his horse, his weapons, his strength, and his experience, into the market. Whether the King of Naples or the Duke of Milan, the Pope or the Signory of Florence, struck the bargain, was to him a matter of perfect indifference. He was for the highest wages and the longest term. When the campaign for which he had contracted was finished, there was neither law nor punctilio to prevent him from instantly turning his arms against his late masters. The soldier was altogether disjoined from the citizen and from the subject.

The natural consequences followed. Left to the conduct of men who neither loved those whom they defended, nor hated those whom they opposed, who were often bound by stronger ties to the army against which they fought than to the State which they served, who lost by the termination of the conflict, and gained by its prolongation, war completely changed its character. Every man came into the field of battle impressed with the knowledge, that, in a few days, he might be taking the pay of the power against which he was then employed, and fighting by the side of his enemies against his associates. The strongest interests and the strongest feelings concurred to mitigate the hostility of those who had lately been brethren in arms, and who might soon be brethren in arms once more. Their common profession was a bond of union not to be forgotten, even when they were engaged in the service of contending parties. Hence it was that operations, languid and indecisive beyond any recorded in history, marches and countermarches, pillaging expeditions and blockades, bloodless capitulations and equally bloodless combats, make up the military history of Italy during the course of nearly two centuries. Might armies fight from sunrise to sunset. A great victory is won. Thousands of prisoners are taken, and hardly a life is lost. A pitched battle seems to have been really less dangerous than an ordinary civil tumult.

Courage was now no longer necessary, even to the military character. Men grew old in camps, and acquired the highest renown by their warlike achievements, without being once required to face serious danger. The political consequences are too well known. The richest and most enlightened part of the world was left undefended to the assaults of every barbarous invader, to the brutality of Switzerland, the insolence of France, and the fierce rapacity of Aragon. The moral effects which followed from this state of things were still more remarkable.

Amongst the rude nations which lay beyond the Alps, valor was absolutely indispensable. Without it none could be eminent, few could be secure. Cowardice was, therefore, naturally considered as the foulest reproach. Among the polished Italians, enriched by commerce, governed by law, and passionately attached to literature, everything was done by superiority of intelligence. Their very wars, more pacific than the peace of their neighbors, required rather civil than military qualifications. Hence, while courage was the point of honor in other countries, ingenuity became the point of honor in Italy.

From these principles were deduced, by processes strictly analogous, two opposite systems of fashionable morality. Through the greater part of Europe, the vices which peculiarly belong to timid dispositions, and which are the natural defence of weakness, fraud, and hypocrisy, have always been most disreputable. On the other hand, the excesses of haughty and daring spirits have been treated with indulgence, and even with respect. The Italians regarded with corresponding lenity those crimes which require self-command, address, quick observation, fertile invention, and profound knowledge of human nature.

Such a prince as our Henry V would have been the idol of the North. The follies of his youth, the selfish ambition of his manhood, the Lollards roasted at slow fires, the prisoners massacred on the field of battle, the expiring lease of priestcraft renewed for another century, the dreadful legacy of a causeless and hopeless war bequeathed to a people who had no interest in its event - everything is forgotten but the victory of Agincourt. Francis Sforza, on the other hand, was the model of Italian heroes. He made his employers and his rivals alike his tools. He first overpowered his open enemies by the help of faithless allies: he then armed himself against his allies with the spoils taken from his enemies. By his incomparable dexterity, he raised himself from the precarious and dependent situation of a military adventurer to the first throne of Italy. To such a man much was forgiven hollow friendship, ungenerous enmity, violated faith. Such are the opposite errors which men commit, when their morality is not a science, but a taste, when they abandon eternal principles for accidental associations.

We have illustrated our meaning by an instance taken from history. We will select another from fiction. Othello murders his wife; he gives orders for the murder of his lieutenant; he ends by murdering himself. Yet he never loses the esteem and affection of Northern readers. His intrepid and ardent spirit redeems everything. The unsuspecting confidence with which he listens to his adviser, the agony with which he shrinks from the thought of shame, the tempest of passion with which he commits his crimes, and the haughty fearlessness with which he avows them, give an extraordinary interest to his character. Iago, on the contrary, is the object of universal loathing. Many are inclined to suspect that Shakespeare has been seduced into an exaggeration unusual with him, and has drawn a monster who has no archetype in human nature. Now, we suspect that an Italian audience in the fifteenth century would have felt very differently. Othello would have inspired nothing but detestation and contempt. The folly with which he trusts the friendly professions of a man whose promotion he had obstructed, the credulity with which he takes unsupported assertions, and trivial circumstances, for unanswerable proofs, the violence with which he silences the exculpation till the exculpation can only aggravate his misery, would have excited the abhorrence and disgust of his spectators. The conduct of Iago they would assuredly have condemned, but they would have condemned it as we condemn that of his victim. Something of interest and respect would have mingled with their disapprobation. The readiness of the traitor's wit, the clearness of his judgment, the skill with which he penetrates the dispositions of others, and conceals his own, would have insured to him a certain portion of their esteem.

So wide was the difference between the Italians and their neighbors. A similar difference existed between the Greeks of the second century before Christ, and their masters, the Romans. The conquerors, brave and resolute, faithful to their engagements, and strongly influenced by religious feelings, were, at the same time, ignorant, arbitrary, and cruel. With the vanquished people were deposited all the art, the science, and the literature of the Western world. In poetry, in philosophy, in painting, in architecture, in sculpture, they had no rivals. Their manners were polished, their perceptions acute, their invention ready; they were tolerant, affable, humane; but of courage and sincerity they were almost utterly destitute. Every rude centurion consoled himself for his intellectual inferiority, by remarking that knowledge and taste seemed only to make men atheists, cowards and slaves. The distinction long continued to be strongly marked, and furnished and admirable subject for the fierce sarcasms of Juvenal.

The citizen of an Italian commonwealth was the Greek of the time of Juvenal and the Greek of the time of Pericles, joined in one. Like the former, he was timid and pliable, artful and mean. But, like the latter, he had a country. Its independence and prosperity were dear to him. If his character were degraded by some base crimes, it was, on the other hand, ennobled by public spirit and by an honorable ambition.

A vice sanctioned by the general opinion is merely a vice. The evil terminates in itself. A vice condemned by the general opinion produces a pernicious effect on the whole character. The former is a local malady, the latter a constitutional taint. When the reputation of the offender is lost, he, too, often flings the remains of his virtue after it in despair. The Highland gentleman, who, a century ago, lived by taking blackmail from his neighbors, committed the same crime for which Wild was accompanied to Tyburn by the huzzas of two hundred thousand people. But there can be no doubt that he was a much less depraved man than Wild. The deed for which Mrs. Brownrigg was hanged, sinks into nothing when compared with the conduct of the Roman who treated the public to one hundred pairs of gladiators. Yet we should greatly wrong such a Roman if we supposed that his disposition was as cruel as that of Mrs. Brownrigg. In our own country, a woman forfeits her place in society by what, in a man, is too commonly considered as an honorable distinction, and at worst as a venial error. The consequence is notorious. The moral principle of a woman is frequently more impaired by a single lapse from virtue than that of a man by twenty years of intrigues. Classical antiquity would furnish us with instances stronger, if possible, than those to which we have referred.

We must apply this principle to the case before us. Habits of dissimulation and falsehood, no doubt, mark a man of our age and country as utterly worthless and abandoned. But it by no means follows that a similar judgment would be just in the case of an Italian in the Middle Ages. On the contrary, we frequently find those faults which we are accustomed to consider as certain indications of a mind altogether depraved, in company with great and good qualities, with generosity, with benevolence, with disinterestedness. From such a state of society, Palamedes, in the admirable dialogue of Hume, might have drawn illustrations of his theory as striking as any of those with which Fourli furnished him. These are not, we well know, the lessons which historians are generally most careful to teach, or readers most willing to learn. But they are not therefore useless. How Philip disposed his troops at Chaeronea, where Hannibal crossed the Alps, whether Mary blew up Darnley, or Siquier shot Charles XII, and the thousand other questions of the same description, are in themselves unimportant. The inquiry may amuse us, but the decision leaves us no wiser. He alone reads history aright, who, observing how powerfully circumstances influence the feelings and opinions of men, how often vices pass into virtues, and paradoxes into axioms, learns to distinguish what is accidental and transitory in human nature, from what is essential and immutable.

In this respect, no history suggests more important reflections than that of the Tuscan and Lombard commonwealths. The character of the Italian statesman seems, at first sight, a collection of contradictions, a phantom as monstrous as the portress of hell in Milton, half divinity, half snake, majestic and beautiful above, grovelling and poisonous below. We see a man whose thoughts and words have no connection with each other, who never hesitates at an oath when he wishes to seduce, who never wants a pretext when he is inclined to betray. His cruelties spring, not from the heat of blood, or the insanity of uncontrolled power, but from deep and cool meditation. His passions, like well-trained troops, are impetuous by rule, and in their most headstrong fury never forget the discipline to which they have been accustomed. His whole soul is occupied with vast and complicated schemes of ambition, yet his aspect and language exhibit nothing but philosophical moderation. Hatred and revenge eat into his heart; yet every look is a cordial smile, every gesture a familiar caress. He never excites the suspicion of his adversaries by petty provocations. His purpose is disclosed, only when it is accomplished. His face is unruffled, his speech is courteous, till vigilance is laid asleep, till a vital point is exposed, till a sure aim is taken; and then he strikes for the first and last time. Military courage, the boast of the sottish German, of the frivolous and prating Frenchman, of the romantic and arrogant Spaniard, he neither possesses nor values. He shuns danger, not because he is insensible to shame, but because, in the society in which he lives, timidity has ceased to be shameful. To do an injury openly is, in his estimation, as wicked as to do it secretly, and far less profitable. With him the most honorable means are those which are the surest, the speediest, and the darkest. He cannot comprehend how a man should scruple to deceive those whom he does not scruple to destroy. He would think it madness to declare open hostilities against rivals whom he might stab in a friendly embrace, or poison in a consecrated wafer.

Yet this man, black with the vices which we consider as most loathsome, traitor, hypocrite, coward, assassin, was by no means destitute even of those virtues which we generally consider as indicating superior elevation of character. In civil courage, in perseverance, in presence of mind, those barbarous warriors, who were foremost in the battle or the breach, were far his inferiors. Even the dangers which he avoided with a caution almost pusillanimous never confused his perceptions, never paralyzed his inventive faculties, never wrung out one secret from his smooth tongue and his inscrutable brow. Though a dangerous enemy, and a still more dangerous accomplice, he could be a just and beneficent ruler. With so much unfairness in his policy, there was an extraordinary degree of fairness in his intellect. Indifferent to truth in the transactions of life, he was honestly devoted to truth in the researches of speculation. Wanton cruelty was not in his nature. On the contrary, where no political object was at stake, his disposition was soft and humane. The susceptibility of his nerves and the activity of his imagination inclined him to sympathize with the feelings of others, and to delight in the charities and courtesies of social life. Perpetually descending to actions which might seem to mark a mind diseased through all its faculties, he had nevertheless an exquisite sensibility, both for the natural and the moral sublime, for every graceful and every lofty conception. Habits of petty intrigue and dissimulation might have rendered him incapable of great general views, but that the expanding effect of his philosophical studies counteracted the narrowing tendency. He had the keenest enjoyment of wit, eloquence, and poetry. The fine arts profited alike by the severity of his judgment, and by the liberality of his patronage. The portraits of some of the remarkable Italians of those times are perfectly in harmony with this description. Ample and majestic foreheads; brows strong and dark, but not frowning; eyes of which the calm, full gaze, while it expresses nothing, seems to discern everything; cheeks pale with thought and sedentary habits; lips formed with feminine delicacy, but compressed with more than masculine decision-mark out men at once enterprising and timid, men equally skilled in detecting the purposes of others, in and concealing their own, men who must have been formidable enemies and unsafe allies, but men, at the same time, whose tempers were mild and equable, and who possessed an amplitude and subtlety of intellect which would have rendered them eminent either in active or in contemplative life, and fitted them either to govern or to instruct mankind.

Every age and every nation has certain characteristic vices, which prevail almost universally, which scarcely any person scruples to avow, and which even rigid moralists but faintly censure. Succeeding generations change the fashion of their morals, with the fashion of their hats and their coaches; take some other kind of wickedness under their patronage, and wonder at the depravity of their ancestors. Nor is this all. Posterity, that high court of appeal which is never tired of eulogizing its own justice and discernment, acts on such occasions like a Roman dictator after a general mutiny. Finding the delinquents too numerous to be all punished, it selects some of them at hazard, to bear the whole penalty of an offence in which they are not more deeply implicated than those who escape. Whether decimation be a convenient mode of military execution, we know not; but we solemnly protest against the introduction of such a principle into the philosophy of history.

In the present instance, the lot has fallen on Machiavelli, a man whose public conduct was upright and honorable, whose views of morality, where they differed from those of the persons around him, seemed to have differed for the better, and whose only fault was, that, having adopted some of the maxims then generally received, he arranged them more luminously, and expressed them more forcibly, than any other writer.

Having now, we hope, in some degree cleared the personal character of Machiavelli, we come to the consideration of his works. As a poet, he is not entitled to a very high place; but the comedies deserve more attention.

The "Mandragola," in particular, is superior to the best of Goldoni, and inferior only to the best of Moliere. It is the work of a man who, if he had devoted himself to the drama, would probably have attained the highest eminence, and produced a permanent and salutary effect on the national taste. This we infer, not so much from the degree as from the kind of its excellence. There are compositions which indicate still greater talent, and which are perused with still greater delight, from which we should have drawn very different conclusions. Books quite worthless are quite harmless. The sure sign of the general decline of an art is the frequent occurrence, not of deformity, but of misplaced beauty. In general, tragedy is corrupted by eloquence, and comedy by wit.

The real object of the drama is the exhibition of human character. This, we conceive, is no arbitrary canon, originating in local and temporary associations, like those canons which regulate the number of acts in a play, or of syllables in a line. To this fundamental law every other regulation is subordinate. The situations which most signally develop character form the best plot. The mother tongue of the passions is the best style.

This principle, rightly understood, does not debar the poet from any grace of composition. There is no style in which some man may not, under some circumstances, express himself. There is, therefore, no style which the drama rejects, none which it does not occasionally require. It is in the discernment of place, of time, and of person, that the inferior artists fail. The fantastic rhapsody of Mercutio, the elaborate declamation of Antony, are, where Shakespeare has placed them, natural and pleasing. But Dryden would have made Mercutio challenge Tybalt in hyperboles as fanciful as those in which he describes the chariot of Mab. Corneille would have represented Antony as scolding and coaxing Cleopatra with all the measured rhetoric of a funeral oration.

No writers have injured the comedy of England so deeply as Congreve and Sheridan. Both were men of splendid wit and polished taste. Unhappily, they made all their characters in their own likeness. Their works bear the same relation to the legitimate drama which a transparency bears to a painting. There are no delicate touches, no hues imperceptibly fading into each other: the whole is lighted up with a universal glare. Outlines and tints are forgotten in the common blaze which illuminates all. The flowers and fruits of the intellect abound; but it is the abundance of a jungle, not of a garden, unwholesome, bewildering, unprofitable from its very plenty, rank from its very fragrance. Every fop, every boor, every valet, is a man of wit. The very butts and dupes, Tattle, Witwould, Puff, Acres, outshine the whole Hotel of Rambouillet. To prove the whole system of this school erroneous, it is only necessary to apply the test which dissolved the enchanted Florimel, to place the true by the false Thalia, to contrast the most celebrated characters which have been drawn by the writers of whom we speak with the Bastard in "King John," or the Nurse in "Romeo and Juliet." It was not surely from want of wit that Shakespeare adopted so different a manner. Benedick and Beatrice throw Mirabel and Millamant into the shade. All the good sayings of the facetious hours of Absolute and Surface might have been clipped from the single character of Falstaff without being missed. It would have been easy for that fertile mind to have given Bardolph and Shallow as much wit as Prince Hal, and to have made Dogberry and Verges retort on each other in sparkling epigrams. But he knew that such indiscriminate prodigality was, to use his own admirable language, "from the purpose of playing, whose end, both at the first and now, was, and is, to hold, as it were, the mirror up to nature."

This digression will enable our readers to understand what we mean when we say, that, in the "Mandragola," Machiavelli has proved that he completely understood the nature of the dramatic art, and possessed talents which would have enabled him to excel in it. By the correct and vigorous delineation of human nature, it produces interest without a pleasing or skillful plot, and laughter without the least ambition of wit. The lover, not a very delicate or generous lover, and his adviser the parasite, are drawn with spirit. The hypocritical confessor is an admirable portrait. He is, if we mistake not, the original of Father Dominic, the best comic character of Dryden. But old Nicias is the glory of the piece. We cannot call to mind anything that resembles him. The follies which Moliere ridicules are those of affectation, not those of fatuity. Coxcombs and pedants, not absolute simpletons, are his game. Shakespeare has indeed a vast assortment of fools; but the precise species of which we speak is not, if we remember right, to be found there. Shallow is a fool. But his animal spirits supply, to a certain degree, the place of cleverness. His talk is to that of Sir John what soda-water is to champagne. It has the effervescence, though not the body or the flavor. Slender and Sir Andrew Aguecheek are fools, troubled with an un easy consciousness of their folly, which, in the latter, produces meekness and docility, and in the former, awkwardness, obstinacy, and confusion. Cloten is an arrogant fool, Osric a foppish fool, Ajax a savage fool; but Nicias is, as Thersites says of Patroclus, a fool positive. His mind is occupied by no strong feeling; it takes every character, and retains none; its aspect is diversified, not by passions, but by faint and transitory semblances of passion, a mock joy, a mock fear, a mock love, a mock pride, which chase each other like shadows over its surface, and vanish as soon as they appear. He is just idiot enough to be an object, not of pity or horror, but of ridicule. He bears some resemblance to poor Calandrino, whose mishaps, as recounted by Boccaccio, have made all Europe merry for more than four centuries. He perhaps resembles still more closely Simon de Villa, to whom Bruno and Buffalmacco promised the love of the Countess Civillari. Nicias is, like Simon, of a learned profession; and the dignity with which he wears the doctoral fur renders his absurdities infinitely more grotesque. The old Tuscan is the very language for such a being. Its peculiar simplicity gives even to the most forcible reasoning and the most brilliant wit an infantine air, generally delightful, but to a foreign reader sometimes a little ludicrous. Heroes and statesmen seem to lisp when they use it. It becomes Nicias incomparably, and renders all his silliness infinitely more silly.

We may add, that the verses with which the "Mandragola" is interspersed appear to us to be the most spirited and correct of all that Machiavelli has written in metre. He seems to have entertained the same opinion, for he has introduced some of them in other places. The contemporaries of the author were not blind to the merits of this striking piece. It was acted at Florence with the greatest success. Leo X was among its admirers, and by his order it was represented at Rome.4

The "Clizia" is an imitation of the "Casina" of Plautus, which is itself an imitation of the lost kxnpoumevol of Diphilus. Plautus was, unquestionably, one of the best Latin writers; but the "Casina" is by no means one of his best plays, nor is it one which offers great facilities to an imitator. The story is as alien from modern habits of life as the manner in which it is developed from the modern fashion of composition. The lover remains in the country and the heroine in her chamber during the whole action, leaving their fate to be decided by a foolish father, a cunning mother, and two knavish servants. Machiavelli has executed his task with judgment and taste. He has accommodated the plot to a different state of society, and has very dexterously connected it with the history of his own times. The relation of the trick put on the doting old lover is exquisitely humorous. It is far superior to the corresponding passage in the Latin comedy, and scarcely yields to the account which Falstaff gives of his ducking.

Two other comedies, without titles, the one in prose, the other in verse, appear among the works of Machiavelli. The former is very short, lively enough, but of no great value. The latter we can scarcely believe to be genuine. Neither its merits nor its defects remind us of the reputed author. It was first printed in 1796, from a manuscript discovered in the celebrated library of the Strozzi. Its genuineness, if we have been rightly informed, is established solely by the comparison of hands. Our suspicions are strengthened by the circumstance, that the same manuscript contained a description of the plague of 1527, which has also, in consequence, been added to the works of Machiavelli. Of this last composition, the strongest external evidence would scarcely induce us to believe him guilty. Nothing was ever written more detestable in matter and manner. The narrations, the reflections, the jokes, the lamentations, are all the very worst of their respective kinds, at once trite and affected, threadbare tinsel from the Rag Fairs9 and Monmouth streets of literature. A foolish schoolboy might write such a piece, and, after he had written it, think it much finer than the incomparable introduction of "The Decameron." But that a shrewd statesman, whose earliest works are characterized by manliness of thought and language, should, at near sixty years of age, descend to such puerility, is utterly inconceivable.

The little novel of "Belphegor" is pleasantly conceived, and pleasantly told. But the extravagance of the satire in some measure injures its effect. Machiavelli was unhappily married; and his wish to avenge his own cause, and that of his brethren in misfortune, carried him beyond even the license of fiction. Jonson seems to have combined some hints taken from this tale, with others from Boccaccio, in the plot of "The Devil is an Ass," a play which, though not the most highly finished of his compositions, is perhaps that which exhibits the strongest proofs of genius.

The political correspondence of Machiavelli, first published in 1767, is unquestionably genuine, and highly valuable. The unhappy circumstances in which his country was placed during the greater part of his public life gave extraordinary encouragement to diplomatic talents. From the moment that Charles VIII descended from the Alps the whole character of Italian politics was changed. The governments of the Peninsula ceased to form an independent system. Drawn from their old orbit by the attraction of the larger bodies which now approach them, they became mere satellites of France and Spain. All their disputes, internal and external, were decided by foreign influence. The contests of opposite factions were carried on, not as formerly in the Senate house or in the market-place, but in the ante-chambers of Louis and Ferdinand. Under these circumstances, the prosperity of the Italian States depended far more on the ability of their foreign agents, than on the conduct of those who were intrusted with the domestic administration. The ambassador had to discharge functions far more delicate than transmitting orders of knighthood, introducing tourists, or presenting his brethren with the homage of his high consideration. He was an advocate to whose management the dearest interests of his clients were intrusted, a spy clothed with an inviolable character. Instead of consulting, by a reserved manner and ambiguous style, the dignity of those whom he represented, he was to plunge into all the intrigues of the court at which he resided, to discover and flatter every weakness of the prince, and of the favorite who governed the prince, and of the lackey who governed the favorite. He was to compliment the mistress, and bribe the confessor, to panegyrize or supplicate, to laugh or weep, to accommodate himself to every caprice, to lull every suspicion, to treasure every hint, to be everything, to observe everything, to endure everything. High as the art of political intrigue had been carried in Italy, these were times which required it all.

On these arduous errands Machiavelli was frequently employed. He was sent to treat with the King of the Romans and with the Duke of Valentinois. He was twice ambassador at the Court of Rome, and thrice at that of France. In these missions, and in several others of inferior importance, he acquitted himself with great dexterity. His despatches form one of the most amusing and instructive collections extant. The narratives are clear and agreeably written, the remarks on men and things clever and judicious. The conversations are reported in a spirited and characteristic manner. We find ourselves introduced into the presence of the men who, during twenty eventful years, swayed the destinies of Europe. Their wit and their folly, their fretfulness and their merriment, are exposed to us. We are admitted to overhear their chat, and to watch their familiar gestures. It is interesting and curious to recognize, in circumstances which elude the notice of historians, the feeble violence and shallow cunning of Louis XII; the bustling insignificance of Maximilian, cursed with an impotent pruriency for renown, rash yet timid, obstinate yet fickle, always in a hurry, yet always too late; the fierce and haughty energy which gave dignity to the eccentricities of Julius; the soft and graceful manners which masked the insatiable ambition and the implacable hatred of Caesar Borgia.

We have mentioned Caesar Borgia. It is impossible not to pause for a moment on the name of a man in whom the political morality of Italy was so strongly personified, partially blended with the sterner lineaments of the Spanish character. On two important occasions Machiavelli was admitted to his society - once, at the moment when Caesar's splendid villainy achieved its most signal triumph, when he caught in one snare, and crushed at one blow, all his most formidable rivals; and again when, exhausted by disease, and overwhelmed by misfortunes which no human prudence could have averted, he was the prisoner of the deadliest enemy of his house. These interviews between the greatest speculative and the greatest practical statesmen of the age are fully described in the "Correspondence," and form, perhaps, the most interesting part of it. From some passages in "The Prince," and perhaps also from some indistinct traditions, several writers have supposed a connection between those remarkable men much closer than ever existed. The envoy has even been accused of prompting the crimes of the artful and merciless tyrant. But, from the official documents, it is clear that their intercourse, though ostensibly amicable, was in reality hostile. It cannot be doubted, however, that the imagination of Machiavelli was strongly impressed, and his speculations on government colored, by the observations which he made on the singular character and equally singular fortunes of a man who, under such disadvantages, had achieved such exploits; who, when sensuality, varied through innumerable forms, could no longer stimulate his sated mind, found a more powerful and durable excitement in the intense thirst of empire and revenge; who emerged from the sloth and luxury of the Roman purple the first prince and general of the age; who, trained in an unwarlike profession, formed a gallant army out of the dregs of an unwarlike people; who, after acquiring sovereignty by destroying his enemies, acquired popularity by destroying his tools; who had begun to employ for the most salutary ends the power which he had attained by the most atrocious means; who tolerated within the sphere of his iron despotism no plunderer or oppressor but himself; and who fell at last amidst the mingled curses and regrets of a people of whom his genius had been the wonder, and might have been the salvation. Some of those crimes of Borgia which to us appear the most odious, would not, from causes which we have already considered, have struck an Italian of the fifteenth century with equal horror. Patriotic feeling also might induce Machiavelli to look with some indulgence and regret on the memory of the only leader who could have defended the independence of Italy against the confederate spoilers of Cambray.

Part III

On this subject, Machiavelli felt most strongly. Indeed, the expulsion of the foreign tyrants, and the restoration of that golden age which had preceded the irruption of Charles VIII, were projects which, at that time, fascinated all the master-spirits of Italy. The magnificent vision delighted the great but ill-regulated mind of Julius. It divided with manuscripts and saucers, painters and falcons, the attention of the frivolous Leo. It prompted the generous treason of Morone. It imparted a transient energy to the feeble mind and body of the last Sforza. It excited for one moment an honest ambition in the false heart of Pescara. Ferocity and insolence were not among the vices of the national character. To the discriminating cruelties of politicians, committed for great ends on select victims, the moral code of the Italians was too indulgent. But, though they might have recourse to barbarity as an expedient, they did not require it as a stimulant. They turned with loathing from the atrocity of the strangers who seemed to love blood for its own sake; who, not content with subjugating, were impatient to destroy; who found a fiendish pleasure in razing magnificent cities, cutting the throats of enemies who cried for quarter, or suffocating an unarmed population by thousands in the caverns to which it had fled for safety. Such were the cruelties which daily excited the terror and disgust of a people among whom, till lately, the worst that a soldier had to fear in a pitched battle was the loss of his horse and the expense of his ransom. The swinish intemperance of Switzerland; the wolfish avarice of Spain; the gross licentiousness of the French, indulged in violation of hospitality, of decency, of love itself; the wanton inhumanity which was common to all the invaders - had made them objects of deadly hatred to the inhabitants of the Peninsula. The wealth which had been accumulated during centuries of prosperity and repose was rapidly melting away. The intellectual superiority of the oppressed people only rendered them more keenly sensible of their political degradation. Literature and taste, indeed, still disguised with a flush of hectic loveliness and brilliancy the ravages of an incurable decay. The iron had not yet entered into the soul. The time was not yet come when eloquence was to be gagged, and reason to be hoodwinked, when the harp of the poet was to be hung on the willows of Arno, and the right hand of the painter to forget its cunning. Yet a discerning eye might even then have seen that genius and learning would not long survive the state of things from which they had sprung, and that the great men whose talents gave lustre to that melancholy period had been formed under the influence of happier days, and would leave no successors behind them. The times which shine with the greatest splendor in literary history are not always those to which the human mind is most indebted. Of this we may be convinced, by comparing the generation which follows them with that which had preceded them. The first fruits which are reaped under a bad system often spring from seed sown under a good one. Thus it was, in some measure, with the Augustan age. Thus it was with the age of Raphael and Ariosto, of Aldus and Vida.

Machiavelli deeply regretted the misfortunes of his country, and clearly discerned the cause and the remedy. It was the military system of the Italian people which had extinguished their valor and discipline, and left their wealth an easy prey to every foreign plunderer. The secretary projected a scheme, alike honorable to his heart and to his intellect, for abolishing the use of mercenary troops, and for organizing a national militia.

The exertions which he made to effect this great object ought alone to rescue his name from obloquy. Though his situation and his habits were pacific, he studied with intense assiduity the theory of war. He made himself master of all its details. The Florentine government entered into his views. A council of war was appointed. Levies were decreed. The indefatigable minister flew from place to place in order to superintend the execution of his design. The times were, in some respects, favorable to the experiment. The system of military tactics had undergone a great revolution. The cavalry was no longer considered as forming the strength of an army. The hours which a citizen could spare from his ordinary employments, though by no means sufficient to familiarize him with the exercise of a man-at-arms, might render him a useful foot-soldier. The dread of a foreign yoke, of plunder, massacre, and conflagration, might have conquered that repugnance to military pursuits which both the industry and the idleness of great towns commonly generate. For a time the scheme promised well. The new troops acquitted themselves respectably in the field. Machiavelli looked with parental rapture on the success of his plan, and began to hope that the arms of Italy might once more be formidable to the barbarians of the Tagus and the Rhine. But the tide of misfortune came on before the barriers which should have withstood it were prepared. For a time, indeed, Florence might be considered as peculiarly fortunate. Famine and sword and pestilence had devastated the fertile plains and stately cities of the Po. All the curses denounced of old against Tyre seemed to have fallen on Venice. Her merchants already stood afar off, lamenting for their great city. The time seemed near when the sea-weed should overgrow her silent Rialto, and the fisherman wash his nets in her deserted arsenal. Naples had been four times conquered and reconquered by tyrants equally indifferent to its welfare, and equally greedy for its spoils. Florence, as yet, had only to endure degradation and extortion, to submit to the mandates of foreign powers, to buy over and over again, at an enormous price, what was already justly her own, to return thanks for being wronged, and to ask pardon for being in the right. She was at length deprived of the blessings, even of this infamous and servile repose. Her military and political institutions were swept away together. The Medici returned, in the train of foreign invaders, from their long exile. The policy of Machiavelli was abandoned; and his public services were requited with poverty, imprisonment, and torture.

The fallen statesman still clung to his project with unabated ardor. With the view of vindicating it from some popular objections, and of refuting some prevailing errors on the subject of military science, he wrote his "Seven Books on the Art of War." This excellent work is in the form of a dialogue. The opinions of the writer are put into the mouth of Fabrizio Colonna, a powerful nobleman of the ecclesiastical State, and an officer of distinguished merit in the service of the King of Spain. Colonna visits Florence on his way from Lombardy to his own domains. He is invited to meet some friends at the house of Cosimo Rucellai, an amiable and accomplished young man, whose early death Machiavelli feelingly deplores. After partaking of an elegant entertainment, they retire from the heat into the most shady recesses of the garden. Fabrizio is struck by the sight of some uncommon plants. Cosimo says, that, though rare in modern days, they are frequently mentioned by the classical authors, and that his grandfather, like many other Italians, amused himself with practising the ancient methods of gardening. Fabrizio expresses his regret that those who, in later times, affected the manners of the old Romans, should select for imitation the most trifling pursuits. This leads to a conversation on the decline of military discipline, and on the best means of restoring it. The institution of the Florentine militia is ably defended, and several improvements are suggested in the details.

The Swiss and the Spaniards were, at that time, regarded as the best soldiers in Europe. The Swiss battalion consisted of pikemen, and bore a close resemblance to the Greek phalanx. The Spaniards, like the soldiers of Rome, were armed with the sword and the shield. The victories of Flaminius and Aemilius over the Macedonian kings seem to prove the superiority of the weapons used by the legions. The same experiment had been recently tried with the same result at the battle of Ravenna, one of those tremendous days into which human folly and wickedness compress the whole devastation of a famine or a plague. In that memorable conflict, the infantry of Aragon, the old companions of Gonsalvo, deserted by all their allies, hewed a passage through the thickest of the imperial pikes, and effected an unbroken retreat, in the face of the gendarmerie of De Foix, and the renowned artillery of Este. Fabrizio, or rather Machiavelli, proposes to combine the two systems, to arm the foremost lines with the pike for the purpose of repulsing cavalry, and those in the rear with the sword, as being a weapon better adapted for every other purpose. Throughout the work, the author expresses the highest admiration of the military science of the ancient Romans, and the greatest contempt for the maxims which had been in vogue amongst the Italian commanders of the preceding generation. He prefers infantry to cavalry, and fortified camps to fortified towns. He is inclined to substitute rapid movements and decisive engagements for the languid and dilatory operations of his countrymen. He attaches very little importance to the invention of gunpowder. Indeed, he seems to think that it ought scarcely to produce any change in the mode of arming or of disposing troops. The general testimony of historians, it must be allowed, seems to prove that the ill-constructed and ill-served artillery of those times, though useful in a siege, was of little value on the field of battle.

On the tactics of Machiavelli we will not venture to give an opinion, but we are certain that his book is most able and interesting. As a commentary on the history of his times, it is invaluable. The ingenuity, the grace, and the perspicuity of the style, and the eloquence and animation of particular passages, must give pleasure, even to readers who take no interest in the subject.

"The Prince" and the "Discourses on Livy" were written after the fall of the republican government. The former was dedicated to the young Lorenzo de' Medici. This circumstance seems to have disgusted the contemporaries of the writer far more that the doctrines which have rendered the name of the work odious in latter times. It was considered as an indication of political apostasy. The fact, however, seems to have been, that Machiavelli, despairing of the liberty of Florence, was inclined to support any government which might preserve her independence. The interval which separated a democracy and a despotism Soderini and Lorenzo, seemed to vanish when compared with the difference between the former and the present state of Italy, between the security, the opulence, and the repose which she had enjoyed under its native rulers, and the misery in which she had been plunged since the fatal year in which the first foreign tyrant had descended from the Alps. The noble and pathetic exhortation with which "The Prince" concludes shows how strongly the writer felt upon this subject.

"The Prince" traces the progress of an ambitious man, the "Discourses" the progress of an ambitious people. The same principles on which, in the former work, the elevation of an individual is explained, are applied, in the latter, to the longer duration and more complex interest of a society. To a modern statesman the form of the "Discourses" may appear to be puerile. In truth, Livy is not a historian on whom implicit reliance can be placed, even in cases where he must have possessed considerable means of information. And the first Decade, to which Machiavelli has confined himself, is scarcely entitled to more credit than our Chronicle of British Kings who reigned before the Roman invasion. But the commentator is indebted to Livy for little more than a few texts which he might as easily have extracted from the Vulgate or "The Decameron." The whole train of thought is original.

On the peculiar immorality which has rendered "The Prince" unpopular, and which is almost equally discernible in the "Discourses" we have already given our opinion at length. We have attempted to show that it belonged rather to the age than to the man, that it was a partial taint, and by no means implied general depravity. We cannot, however, deny that it is a great blemish, and that it considerably diminishes the pleasure which, in other respects, those works must afford to every intelligent mind.

It is, indeed, impossible to conceive a more healthful and vigorous constitution of the understanding than that which these works indicate. The qualities of the active and the contemplative statesman appear to have been blended in the mind of the writer into a rare and exquisite harmony. His skill in the details of business had not been acquired at the expense of his general powers. It had not rendered his mind less comprehensive; but it had served to correct his speculations, and to impart to them that vivid and practical character which so widely distinguishes them from the vague theories of most political philosophers.

Every man who has seen the world knows that nothing is so useless as a general maxim. If it be very moral and very true, it may serve for a copy to a charity boy. If, like those of Rochefoucauld, it be sparkling and whimsical, it may make an excellent motto for an essay. But few indeed of the many wise apophthegms which have been uttered, from the time of the Seven Sages of Greece to that of "Poor Richard," have prevented a single foolish action. We give the highest and the most peculiar praise to the precepts of Machiavelli when we say that they may frequently be of real use in regulating conduct, not so much because they are more just or more profound than those which might be culled from other authors, as because they can be more readily applied to the problems of real life.

There are errors in these works. But they are errors which a writer, situated like Machiavelli, could scarcely avoid. They arise, for the most part, from a single defect which appears to us to pervade his whole system. In his political scheme, the means had been more deeply considered than the ends. The great principle, that societies and laws exist only for the purpose of increasing the sum of private happiness, is not recognized with sufficient clearness. The good of the body, distinct from the good of the members, and sometimes hardly compatible with the good of the members, seems to be the object which he proposes to himself. Of all political fallacies, this has perhaps had the widest and the most mischievous operation. The state of society in the little commonwealths of Greece, the close connection and mutual dependence of the citizens, and the severity of the laws of war, tended to encourage an opinion which, under such circumstances, could hardly be called erroneous. The interests of every individual were inseparably bound up with those of the State. An invasion destroyed his corn-fields and vineyards, drove him from his home, and compelled him to encounter all the hardships of a military life. A treaty of peace restored him to security and comfort. A victory doubled the number of his slaves. A defeat perhaps made him a slave himself. When Pericles, in the Peloponnesian war, told the Athenians, that, if their country triumphed, their private losses would speedily be repaired, but that, if their arms failed of success, every individual amongst them would probably be ruined, he spoke no more than the truth. He spoke to men whom the tribute of vanquished cities supplied with food and clothing, with the luxury of the bath and the amusements of the theatre, on whom the greatness of their country conferred rank, and before whom the members of less prosperous communities trembled; to men who, in case of a change in the public fortunes, would, at least, be deprived of every comfort and every distinction which they enjoyed. To be butchered on the smoking ruins of their city, to be dragged in chains to a slave-market, to see one child torn from them to dig in the quarries of Sicily, and another to guard the harems of Persepolis, these were the frequent and probable consequences of national calamities. Hence, among the Greeks, patriotism became a governing principle, or rather an ungovernable passion. Their legislators and their philosophers took it for granted, that, in providing for the strength and greatness of the State, they sufficiently provided for the happiness of the people. The writers of the Roman Empire lived under despots, into whose dominion a hundred nations were melted down, and whose gardens would have covered the little commonwealths of Phlius and Plataea. Yet they continued to employ the same language, and to cant about the duty of sacrificing everything to a country to which they owed nothing.

Causes similar to those which had influenced the disposition of the Greeks operated powerfully on the less vigorous and daring character of the Italians. The Italians, like the Greeks, were members of small communities. Every man was deeply interested in the welfare of the society to which he belonged, a partaker in its wealth and its poverty, in its glory and its shame. In the age of Machiavelli this was peculiarly the case. Public events had produced an immense sum of misery to private citizens. The Northern invaders had brought want to their boards, infamy to their beds, fire to their roofs, and the knife to their throats. It was natural that a man who lived in times like these should overrate the importance of those measures by which a nation is rendered formidable to its neighbors, and undervalue those which make it prosperous within itself.

Nothing is more remarkable in the political treatises of Machiavelli than the fairness of mind which they indicate. It appears where the author is in the wrong, almost as strongly as where he is in the right. He never advances a false opinion because it is new or splendid, because he can clothe it in a happy phrase, or defend it by an ingenious sophism. His errors are at once explained by a reference to the circumstances in which he was placed. They evidently were not sought out: they lay in his way, and could scarcely be avoided. Such mistakes must necessarily be committed by early speculators in every science.

The political works of Machiavelli derive a peculiar interest from the mournful earnestness which he manifests whenever he touches on topics connected with the calamities of his native land. It is difficult to conceive any situation more painful that of a great man, condemned to watch the lingering agony of an exhausted country, to tend it during the alternate fits of stupefaction and raving which precede its dissolution, and to see the symptoms of vitality disappear one by one, till nothing is left but coldness, darkness, and corruption. To this joyless and thankless duty was Machiavelli called. In the energetic language of the prophet, he was "mad for the sight of his eyes which he saw" - disunion in the Council, effeminacy in the camp, liberty extinguished, commerce decaying, national honor sullied, an enlightened and flourishing people given over to the ferocity of ignorant savages. Though his opinions had not escaped the contagion of that political immorality which was common among his countrymen, his natural disposition seems to have been rather stern and impetuous than pliant and artful. When the misery and degradation of Florence, and the foul outrage which he had himself sustained, recur to his mind, the smooth craft of his profession and his nation is exchanged for the honest bitterness of scorn and anger. He speaks like one sick of the calamitous times and abject people among whom his lot is cast. He pines for the strength and glory of ancient Rome, for the fasces of Brutus and the sword of Scipio, the gravity of the curule chair, and the bloody pomp of the triumphal sacrifice. He seems to be transported back to the days when eight hundred thousand Italian warriors sprung to arms at the rumor of a Gallic invasion. He breathes all the spirit of those intrepid and haughty Senators who forgot the dearest ties of nature in the claims of public duty, who looked with disdain on the elephants and on the gold of Pyrrhus, and listened with unaltered composure to the tremendous tidings of Cannae. Like an ancient temple deformed by the barbarous architecture of a later age, his character acquires an interest from the very circumstances which debase it. The original proportions are rendered more striking by the contrast which they present to the mean and incongruous additions.

The influence of the sentiments which we have described was not apparent in his writings alone. His enthusiasm, barred from the career which it would have selected for itself, seems to have found a vent in desperate levity. He enjoyed a vindictive pleasure in outraging the opinions of a society which he despised. He became careless of the decencies which were expected from a man so highly distinguished in the literary and political world. The sarcastic bitterness of his conversation disgusted those who were more inclined to accuse his licentiousness than their own degeneracy, and who were unable to conceive the strength of those emotions which are concealed by the jests of the wretched, and by the follies of the wise.

The historical works of Machiavelli still remain to be considered. The life of Castruccio Castracani will occupy us for a very short time, and would scarcely have demanded our notice had it not attracted a much greater share of public attention than it deserves. Few books, indeed, could be more interesting than a careful and judicious account, from such a pen, of the illustrious Prince of Lucca, the most eminent of those Italian chiefs, who, like Pisistratus and Gelon, acquired a power felt rather than seen, and resting, not on law or on prescription, but on the public favor and on their great personal qualities. Such a work would exhibit to us the real nature of that species of sovereignty, so singular and so often misunderstood, which the Greeks denominated tyranny, and which, modified in some degree by the feudal system, reappeared in the commonwealths of Lombardy and Tuscany. But this little composition of Machiavelli is in no sense a history. It has no pretensions to fidelity. It is trifle, and not a very successful trifle. It is scarcely more authentic than the novel of "Belphegor," and is very much duller.

The last great work of this illustrious man was the history of his native city. It was written by command of the Pope, who, as chief of the house of Medici, was at that time sovereign of Florence. The characters of Cosimo, of Piero, and of Lorenzo, are, however, treated with a freedom and impartiality equally honorable to the writer and to the patron. The miseries and humiliations of dependence, the bread which is more bitter than every other food, the stairs which are more painful than every other ascent, has not broken the spirit of Machiavelli. The most corrupting post in a corrupting profession had not depraved the generous heart of Clement.

The history does not appear to be the fruit of much industry or research. It is unquestionably inaccurate. But it is elegant, lively, and picturesque, beyond any other in the Italian language. The reader, we believe, carries away from it a more vivid and a more faithful impression of the national character and manners than from more correct accounts. The truth is, that the book belongs rather to ancient than to modern literature. It is in the style, not of Davila and Clarendon, but of Herodotus and Tacitus. The classical histories may almost be called romances founded in fact. The relation is, no doubt, in all its principal points, strictly true. But the numerous little incidents which heighten the interest, the words, the gestures, the looks, are evidently furnished by the imagination of the author. The fashion of later times is different. A more exact narrative is given by the writer.

It may be doubted whether more exact notions are conveyed to the reader. The best portraits are perhaps those in which there is a slight mixture of caricature, and we are not certain that the best histories are not those in which a little of the exaggeration of fictitious narrative is judiciously employed. Something is lost in accuracy, but much is gained in effect. The fainter lines are neglected, but the great characteristic features are imprinted on the mind forever.

The history terminates with the death of Lorenzo de' Medici. Machiavelli had, it seems, intended to continue his narrative to a later period. But his death prevented the execution of his design, and the melancholy task of recording the desolation and shame of Italy devolved on Guicciardini.

Machiavelli lived long enough to see the commencement of the last struggle for Florentine liberty. Soon after his death monarchy was finally established, not such a monarchy as that of which Cosimo had laid the foundations deep in the institutions and feelings of his countrymen, and which Lorenzo had embellished with the trophies of every science and every art, but a loathsome tyranny, proud and mean, cruel and feeble, bigoted and lascivious. The character of Machiavelli was hateful to the new masters of Italy, and those parts of his theory which were in strict accordance with their own daily practice afforded a pretext for blackening his memory. His works were misrepresented by the learned, misconstrued by the ignorant, censured by the Church, abused with all the rancor of simulated virtue by the tools of a base government and the priests of a baser superstition. The name of the man whose genius had illuminated all the dark places of policy, and to whose patriotic wisdom an oppressed people had owed their last chance of emancipation and revenge, passed into a proverb of infamy. For more than two hundred years his bones lay undistinguished. At length an English nobleman paid the last honors to the greatest statesman of Florence. In the Church of Santa Croce a monument was erected to his memory, which is contemplated with reverence by all who can distinguish the virtues of a great mind through the corruptions of a degenerate age, and which will be approached with still deeper homage when the object to which his public life was devoted shall be attained, when the foreign yoke shall be broken, when a second Procida shall avenge the wrongs of Naples, when a happier Rienzi shall restore the good estate of Rome, when the streets of Florence and Bologna shall again resound with their ancient war cry, Popolo; popolo; muoiano i tiranni!5

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¹ Originally published during March, 1827, as a review of a translation of the complete works of Machiavelli by J. V. Peries (Paris: 1825).

² Trs.: "Enjoying the utmost peace and tranquillity, cultivated as well in the most mountainous and barren places as in the plains and most fertile regions, and not subject to any other dominion than that of its own people, it not only overflowed with inhabitants and with riches, but was highly adorned by the magnificence of many princes, by the splendor of many renowned and beautiful cities, by the abode and majesty of religion, and abounded in men who excelled in the administration of public affairs and in minds most eminent in all the sciences and in every noble and useful art." - Guicciardini, "History of Italy," Book I., trans. Montague.

³ Trs.: "The ladies and the knights, the toils and sports to which love and courtesy stirred our desire there where all hearts have grown so evil."

⁴ Nothing can be more evident than that Paulus Jovius designates the "Mandragola" under the name of the "Nicias." We should not have noticed what is so perfectly obvious, were it not that this natural and palpable misnomer has led the sagacious and industrious Bayle into a gross error. [Macaulay's original note.]

⁵ Trs.: "The people! the people! Death to the tyrants!"