It is difficult to know where to place Goethe: he was a German writer,
the leader of the German Romantic movement; he was a philosopher; but,
foremost, he was a scientist; and, so, I place him here, in these pages,
amongst the other classic scientists. As a scientist, Goethe carried on
extensive research, especially in plant biology and in optics writing
"On the Theory Colors, 1810." Goethe looked at things in a different
manner, different than those thinkers up to his time; "he always
attempted to see the individual phenomenon as part of an organic,
developing whole ..." (Benet's). During the span between
1775 and 1786 (1786 being when he left for his two year sojourn
in Italy), while in Weimar, he and Charlotte von Stein took up
with one another. Stein was a woman Goethe worshiped for a decade; there
was not much romance; it was a "spiritual companionship." Upon Goethe's
return from Italy, where he had experienced a "sensual awakening," he was
soon to learn "he and Charlotte had little in common." The "theme of
renunciation, which is extremely important in all Goethe's later works, is
largely based on his experience with Charlotte." He turned to poetry to
describe his way. It was in his poem "Prometheus," (written 1774?) we see
what was to become a motto for a whole new movement ("Weimar Classicism,"
or "German Romanticism"), "man must believe not in gods but in himself
alone." (Contra: "... all truth comes from God ... God speaks by and through
everything. Every insect, every leaf has something to say." [Crabb Robinson's diary.]) Goethe's poetic works are characterized by an interest in the natural, organic development of things, rather than in any idealistic schemes. Goethe was not in agreement with other authors, such as: Hölderlin, Kleist, and Heine. For a short biography by an authoritative and readable author, see Emerson's work Representative Men, on the 'Net, ; and see his works .
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